Gates of Heaven

Errol Morris's 1978 masterpiece Gates of Heaven, which is about pet cemeteries and the people who operate them, sounds like it would be depressing. It's the complete opposite. The film starts off homing in on Floyd McClure, a man whose dog was run over by a car when he was a boy, launching his dream of opening a pet cemetery that would honor what animals mean to their owners. He succeeded, but when his business went bankrupt, 450 animals had to be dug up. That's when the film switches to Cal Herberts, the man who brought those exhumed animals to his own cemetery. He's more business-minded, realizing there's money to be made from helping pet owners through their grief. Due to its odd concept and the fact that documentaries were largely confined to arthouses and college film societies in the late '70s, Gates of Heaven likely would have faded into obscurity were it not for critics Roger Ebert and Gene Siskel, who tirelessly trumpeted the movie on their TV show, helping it gain recognition. They praised the film for its empathy and compassion, but also for the way Morris gets his subjects to reveal their deepest, most eccentric thoughts about pets, life, and everything in between. In his print review, Ebert said Gates of Heaven “is so rich and thought-provoking, it achieves so much while seeming to strain so little, that it stays in your mind for tantalizing days.” Incidentally, fellow documentary filmmaker Werner Herzog was so skeptical that Morris would finish the movie that he made an unusual bet, offering to eat his own shoe if he lost. He made good on the bet, consuming part of a boot during Gates of Heaven's premiere.













